Elementary particles 1


Series concept:
The world we see with our eyes is different from one seen in the photo.
However, now, photos are a field of vision cut moments and shared.
As we see in our mind as chasing after various sights of matters, even if the sight is moving or still, we see things visually based on the photos.

The photo is the same as visioning imaginal matters in sight,
as they are shared in the internet, they are mysterious things without quantity as an object.

I will identify the mysterious photo being as the object by manual as developed photos.
In short, I will show the photos I shot by myself and I will draw them with a pencil by seeing them.
For me description by pencil is one of the most primitive expression.

In this series, I reproduce the mysterious photos in the thickness of only 0 comma millimeters,
and I will search the expression’s structural factor by taking time.

Fragment of LTM9




11th-14th December 2015
at Royal College of Art Kensington

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Fragment of LTM8


line drawing


Fragment of LTM7


Fragment of LTM6


Fragment of LTM5


Fragment of LTM / Site2


Fragment of LTM4


Fragment of LTM / Site


Fragment of LTM3


Fragment of LTM2


Fragment of LTM


Series concept:
Fragment of Long Term Memory (LTM), an ongoing photographic series, conveys an unrealistic world through fragments of reality. My understanding of reality comes from its moments of beauty, sadness, fun, perfection, and those days when nothing special happens. Many parts of our memories, however, are often forgotten, or difficult to recall. I retrieve those fragmented moments and reconstruct them as surreal images. I gather these misplaced memories from certain parts of our reality, and together they create a non-linear story, resonating with each other in my photographs.
I shoot landscapes as well as self-portraits in which I appear painted white. I also use materials such as body parts and models of buildings that I make myself using clay, wire and paper to make this unrealistic world. The work puts audiences in the ambivalent position of not knowing what is real and what is not.
My art shows that those two worlds—reality and fiction—are very intimate, and often appear without clear distinction. Reality is a key to access the unrealistic world, and unreality is also a key to access reality.

An Observer’s Report 1_ No.20


An Observer’s Report 1_ No.19


An Observer’s Report 1_ No.18


An Observer’s Report 1_ No.17


Collaboration with Salvo Bombara_Ruins of LTM


Salvo Bombara website here

“Memories of a past drama, prospects of an ancient and elapsed history, remix into current technological certainties a visionary fantasy, which is paradoxically well anchored to the plastic strength of the human body …” Giulia Sillato © 2014

An Observer’s Report 1_ No.16


An Observer’s Report 1_ No.15