Elementary particles 1

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Series concept:
The world we see with our eyes is different from one seen in the photo.
However, now, photos are a field of vision cut moments and shared.
As we see in our mind as chasing after various sights of matters, even if the sight is moving or still, we see things visually based on the photos.

The photo is the same as visioning imaginal matters in sight,
as they are shared in the internet, they are mysterious things without quantity as an object.

I will identify the mysterious photo being as the object by manual as developed photos.
In short, I will show the photos I shot by myself and I will draw them with a pencil by seeing them.
For me description by pencil is one of the most primitive expression.

In this series, I reproduce the mysterious photos in the thickness of only 0 comma millimeters,
and I will search the expression’s structural factor by taking time.

Fragment of LTM12

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Fragment of LTM11

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Fragment of LTM10

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Fragment of LTM9

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FLUX EXHIBITION

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FLUX EXHIBITION
11th-14th December 2015
at Royal College of Art Kensington

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Fragment of LTM8

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line drawing

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Fragment of LTM7

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Fragment of LTM6

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Fragment of LTM5

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Fragment of LTM / Site2

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Fragment of LTM4

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Fragment of LTM / Site

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Fragment of LTM3

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Fragment of LTM2

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Fragment of LTM

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Series concept:
Fragment of Long Term Memory (LTM), an ongoing photographic series, conveys an unrealistic world through fragments of reality. My understanding of reality comes from its moments of beauty, sadness, fun, perfection, and those days when nothing special happens. Many parts of our memories, however, are often forgotten, or difficult to recall. I retrieve those fragmented moments and reconstruct them as surreal images. I gather these misplaced memories from certain parts of our reality, and together they create a non-linear story, resonating with each other in my photographs.
I shoot landscapes as well as self-portraits in which I appear painted white. I also use materials such as body parts and models of buildings that I make myself using clay, wire and paper to make this unrealistic world. The work puts audiences in the ambivalent position of not knowing what is real and what is not.
My art shows that those two worlds—reality and fiction—are very intimate, and often appear without clear distinction. Reality is a key to access the unrealistic world, and unreality is also a key to access reality.

An Observer’s Report 1_ No.20

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An Observer’s Report 1_ No.19

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An Observer’s Report 1_ No.18

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An Observer’s Report 1_ No.17

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